Search results

Start typing

COLLECTION STORY

A Modern-Day Miniature Library

Discover books created in celebration of 100 years of Queen Mary’s Dolls’ House.

A selection of miniature books lined up next to regular sized book.
New miniature books created in celebration of 100 years of Queen Mary’s Dolls’ House. ©

Reading time: 3 minutes

In celebration of the centenary of Queen Mary’s Dolls’ House, a selection of modern-day writers and binders have contributed handwritten and hand-bound books to a new, doll-sized collection, in an initiative championed by Her Majesty The Queen.

After being exhibited in a special display at Windsor Castle during 2024, the little books will be kept together in the Royal Library. The new books include a miniature version of The Gruffalo by Julia Donaldson and Axel Scheffler and A Tiny Ghost Story by Anthony Horowitz. Her Majesty The Queen has contributed her own miniature book to the collection: a handwritten introduction to the Modern-Day Miniature Library project.

A selection of the books created in celebration of 100 years of Queen Mary’s Dolls’ House.©
The Gruffalo©

Queen Mary’s Dolls' House

The Dolls’ House was built between 1921 and 1924 as a gift from the nation to Queen Mary following the First World War. It was designed by the architect Sir Edwin Lutyens, working alongside Princess Marie Louise. They were joined by hundreds of artists, designers, manufacturers and craft experts in their quest to create a time-capsule of the 1920s. It is a perfect 1:12 scale replica of an Edwardian-style residence – complete with electricity, working lifts and running water.

Queen Mary's Dolls' House at Windsor Castle (RCIN 231999)©

The Dolls’ House Library

One of the most remarkable rooms of the Dolls’ House is its Library. Like the rest of the rooms in the House, its contents are real, but small. Of the nearly 600 books on its shelves, over 170 are manuscripts handwritten by the most notable authors of the 1920s.

Sir Arthur Conan Doyle, A.A. Milne, Thomas Hardy and Vita Sackville-West are among many of the literary figures who squeezed poems, stories, plays and essays into pages around only 4 cm high. Their books were bound in some of the most prominent binderies of the time.

Queen Mary's Dolls' House Library.©
The Miniature Library of Queen Mary’s Dolls’ House

£16.95

Buy now

Just like when the Dolls’ House Library was collected in the 1920s, today’s authors were free to copy out by hand work they had already published, or to write something new. The little booklets they wrote in were then bound by leading designer-binders. While in the 1920s a traditional style of binding was preferred for the Dolls’ House books, the artistic attitudes of today are reflected in the individual creativity and use of alternative materials seen on the bindings of the modern books.

The Royal Bindery

A selection of the new miniature books have been bound in the Royal Bindery at Windsor Castle. Established during the reign of George III, the Royal Bindery today not only conserves, protects and repairs the Royal Collection's books, albums and manuscripts, but also creates new bindings for State Gifts and other royal occasions.

The Royal Bindery’s work to deliver the new doll-sized library began with preparing the tiny blank booklets given to authors to write in, and culminated in making designer bindings in miniature.

A selection of the miniature books.©

A Modern-Day Miniature Library

The new collection of books contains a variety of different types of writing. Poetry, short stories and ghostly tales are all included, along with plays, articles and recipes. In the 1920s, children’s authors were not asked to contribute to the Dolls’ House Library, but the new collection for 2024 features several works written for children.

The new collection is also more illustrated than the library formed for the Dolls’ House in the 1920s, and the books contain pictures by leading book artists, the authors themselves, and talented amateurs, including children.

See a list of the newly created books below and find out more in our Collection Online.

Author

Title

Bound by

Royal Collection Inventory Number (RCIN)

Her Majesty The Queen

Queen Mary’s Doll’s House: foreword Glenn Bartley, Royal Bindery 1171616

Simon Armitage

There was a steep grass bank then a field

Matthew Stockl, Royal Bindery

1171600

Alan Bennett

The Mantelpiece

Andreas Maroulis, Royal Bindery

1171604

Malorie Blackman

Illustrated by Elizabeth Mira Morrison

A Message to Jessica

Bayntun-Riviere

1171607

Lucy Caldwell 

Illustrated by Orla Routh

Intimacies

 

Gillian Stewart, Juju Books

1171611

Joseph Coelho, Children’s Laureate

An Abecedarius of the Very Teeny, and other poems

Matthew Stockl, Royal Bindery

1171619

Imtiaz Dharker

The Welcome

Flora Ginn

1171606

Julia Donaldson and Axel Scheffler

The Gruffalo

Glenn Bartley, Royal Bindery

1171614

Bernardine Evaristo

The African Origins of the United Kingdom

Sue Doggett

1171613

Sebastian Faulks

Music for a Dolls’ House, 1924–2024

Shepherds, Sangorski & Sutcliffe

1171612

Philippa Gregory

Richard, my Richard: a play

Stuart Brockman, Brockman Bookbinders

1171602

Robert Hardman

Illustrated by Phoebe Hardman

The Coronation of King Charles III and Queen Camilla, 6· V· 2023

Ted Bennett

1171618

Anthony Horowitz

A Tiny Ghost Story

Angela James

1171601

Charlie Mackesy

The Boy, the Mole, the Fox and the Horse

Hannah Brown

1171608

Sir Ben Okri

Poems

Rachel Ward-Sale, Bookbinders of Lewes.

1171615

Tom Parker Bowles

A Recipe Fit for a Queen

Andreas Maroulis, Royal Bindery

1171620

Elif Shafak

Aisha woke up from troubled dreams

Haein Song

1171617

Sir Tom Stoppard

Kolya’s Glove

Lester Capon

1171609

Sarah Waters

Underhand House: part one

Christopher Shaw

1171610

A.N. Wilson

The Residents: a poem

Peter Jones

1171605

Dame Jacqueline Wilson

The House Mouse/ translated from Mouse Squeaks

Eri Funazaki

1171603


The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.